I’ve been very busy for a few months now, which has meant that I have not had many opportunities to go out and take photos. With autumn here things are settling down and I was happy to find that the bees are still out stockpiling polling for the winter.
A rare day of sun in Seattle’s dark winter gives a little hope that spring is on the way.
Some people may say that things are never black and white. To those people I would direct them up to the mountains on a cold winter morning and see a dark world covered in fresh snow. I managed a picture of this winter wonderland while skiing this weekend, with the clouds just retreating back up into the sky and a light dusting on all the trees.
After a night spent in our dank and musty subterranean AirB&B we emerged rested and reset to the new time zone. The day holds visits to the Van Gogh Museum, the Microb Museum, the Botanical Gardens and stops for all sorts of tasty treats. In the evening we found a tall building with a rooftop bar to watch the sun set over the city.
The vacation is over and I’m back home again. Its time to get back to my normal routines as I fight the jet lag. I still get to re-live the fun from the vacation with the chocolates and cheeses I’ve brought with me as I curate and edit all the photos I took.
I previously posted some pictures of a spider I found which had apprehended a wasp in its web. I also took the opportunity to take some video. It was very up close with a very small depth of field, making the video a little shaky and blurry. I have tried a little to correct for this with some post processing.
Outside of the shoddy camera work its still rather impressive, if you are not arachnophobic.
The previous post was Lucky Spiders
In photography there is a concept called subject isolation, which simply means make sure what you want people to see in your photo stand out. This is commonly done by using a narrow depth of field to cause an intentional blur of everything that is not the subject. This effect is often called bokeh, and its popularity is the reason that so many wide aperture lenses are being made to day.
I recently got the ‘thrifty 50’ 50mm 1.8 prime from Sony. With the aperture open to 1.8 this lens should have a very narrow focal plane and lots of background blurring. Throwing on a tube extender for some ‘macro’ shots narrows the depth of field even further. I went for a walk to the local rose garden, self assigned to practice some subject isolation and try out the new lens.